Investigation titles
Interesting
Critical Investigations
Below are a
selection of titles that were of interest over the past two years. It is by no
means a comprehensive list but a selection from the literally thousands of
areas and titles offered over the past three sessions of MEST4. The topic areas
are stimulating and interesting. It must be remembered however that each essay
title requires a fairly sharp focus – it is usual to look at no more than three
different media products – and all of these titles would have to be checked
against the MEST4 Checklist to ensure synopticity, engagement with the key
concepts and wider contexts and a fundamental attempt to ask the question why
(explicit or implicit in the question).
These are
offered not as a template for next summer but as an opportunity to see
the variety of possible areas that candidates have chosen to research over the
past two years and are offered as a useful means of suggesting to candidates
the plethora of topic areas available year by year.
Topic
Titles
Has the figure
of the vampire been reinvented in order to inject new blood into a
well-established genre?
Do cult US
animations like The Simpsons and South Park challenge or
reinforce political correctness?
'Wars might change but the fears remain the same.' How and
why contemporary war films tap into universal fears and anxieties concerning
conflict and violence.
Possible
texts: The Hurt Locker, Saving Private Ryan, Black Hawk Down
Do contemporary science fiction hybrids appeal to an audience
by tapping into post-apocalyptic fears and anxieties?
Possible
texts: I am Legend/28 Weeks Later
Paul Manning
in Drugs and Popular Culture: Drugs Meaning and Identity in Contemporary
Society states that “illegal drugs have moved from the sub cultural to the
cultural mainstream. Through an analysis of texts such as Pineapple Express and
Shameless consider if this is an accurate statement and if so why have
drugs become an acceptable part of 21st century
culture?
In what ways does (500) Days of Summer challenge and
augment the typical conventions of the romantic comedy genre and what
values/ideologies are consequently presented to contemporary audiences
regarding romance and relationships?
Advertisements
like the recent ones for John Lewis, M&S and Warburton are typical of the
post modern trend in advertising for downplaying the product itself, focusing
instead on the creation of a distinctive brand personality.
Texts such as The
Lovely Bones, in their foregrounding of religious and supernatural
elements, are characteristic of the backlash against the rationality and
cynicism of contemporary culture.
Why have science and technology taken the primary role in TV
crime shows?
"Remakes limit the potential for quality with no regard
for the actual product and total regard for its market ability." Have film
remakes been as successful as the originals and why?
How and why has the Twilight saga been used to promote
conservative ideologies to young people?
Is there a link between new forms of instant messaging and
teenage crime?
Are the narratives of the X Factor more important to
its success than the music acts it produces?
'The media is increasingly fuelling the climate of fear about
the immediate threat of terrorism' using Spooks as a key text.
What determines
brands‟ public images? A study of media-based brand management techniques
employed by M&S, McDonalds, Nike and Virgin.
Are newspapers
a 'dead' media or do they still exert significant influence on society?
Possible texts:
The Sun/The Telegraph/BBC news website
To what extent do contemporary science fiction hybrids appeal
to an audience by tapping into post-apocalyptic fears and anxieties?
Can musicians ever be truly controversial or is it something
record companies utilise to sell records?
Has the evolution of faster paced editing influenced the
validity of modern documentary?
Is genre still a relevant concept given the post-modern
nature of many contemporary texts?
“Alternative media quickly evolve into the mainstream.” Why
might this be so? Discuss with regard to the marketing of the artist Dizzee
Rascal.
Why does innovative/ironic advertising appear mostly on the
internet but rarely in traditional print based media?
Why do radio stations increasingly rely upon podcasting,
videos and internet streaming to widen their demographic?
'Strictly Come
Dancing' and 'Dancing on Ice': Fun talent shows aimed at bringing together
whole family audiences, or clever marketing tools to further the careers of
minor celebrities?
Britain's press has been using increasingly aggressive
journalism in order to maintain its place in the media marketplace. Many legal
professionals have called for stricter control of the press through legislation
- is this right?